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Archive for the ‘Recording’ Category

Double Tracking Guitars

Tuesday, April 3rd, 2012

double-neck guitar optional

Double tracking is a very common recording/production technique for almost any genre of music. When it comes to rhythm guitars, this technique is almost a standard method of recording with single tracking used only for solos.

This is also a technique that is often confusing for beginners.Double tracking simply means recording the same part twice and panning each to opposite sides. This creates a wide stereo spread based on the unique nuances in timing and dynamics of each performance. This is the guitarist playing a section of the song perfectly, then repeating it as closely as possible on a second track.

This isn’t the same as recording in stereo, using two mics, using a chorus effect or duplicating and delaying one side. Some of these techniques are ways of ‘faking’ or ‘automatic’ double tracking, but are simply no substitute for an expertly performed double track. There must be two separate performances for the effect to work.

How To double track guitars

  1. Record mono rhythm guitar, with either a microphone on a real amp or virtual amp. This track would be panned center.
  2. When a good take is achieved, and any punch ins are finished, go through the recorded track and tighten up any timing issues.
    Here’s how it sounds with the first guitar along with drums. The guitar is in the middle.

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    (warning heavy metal!)

  3. After editing, pan this guitar (and any extra mics for this performance) to the left.
  4. That was perfect, now play it again! Make a new track and pan it right.
  5. Repeat steps 1 and 2 using the same guitar, pickup selection, amp, microphone and any other variables unchanged. Making a change will increase the stereo width but will often result in an unbalanced tone.
    Here’s the same part with the doubled guitars.

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This repeats for each section of the song and if there are multiple guitar parts written or two guitarists in the band, usually each will be double tracked. If there are two guitarists in the band, there could be some confusion. Guitarist 1 plays all his parts twice, guitarist 2 plays all his parts twice. In a simple song this would mean 4 tracks for the rhythm guitars. Often this gets up to 12 or 16 tracks pretty quickly. Guitar solos are usually right up the middle or ‘stereoized’ with other techniques to make them pop out.

You have to be careful playing the doubled part, if it’s too far off from the original it will make a unwanted ping-ponging effect especially in headphones.
Quad Tracking is exactly the same, but you record each part 4 times. Each take has to be perfectly in sync or it just sounds like a terrible mess.

Poor alternatives
So why can’t we just duplicate and delay/shift the recording a little for the same effect? Well, simply because it sounds like crap and I’ll show you.

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This is what happens when you copy the original mono recording, delay the copy by 20ms and pan each hard left and right.

Similarly, why not use a stereo chorus?

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Still sounds really bad compared to double tracking. I’m not saying don’t ever use Chorus, just don’t use as an alternative to the big wide powerful double-track sound.

I hope you have found this article useful.
Any questions? Let me know in the comments below.

Audio Recording Bootcamp – 99 cent eBook for charity

Thursday, February 16th, 2012

Producer, engineer and host of Ronan’s Recording Show, Ronan Chris Murphy has released Audio Recording Bootcamp, a 99¢ eBook for charity. Go get it: Audio Recording Boot Camp

Audio Recording Boot Camp ebook cover

Ronan’s unique perspective and down to earth advice on recording and producing makes it a really enjoyable read. In just a few days of it’s release it’s already ranking highly in Amazon’s charts.

“Audio Recording Boot Camp” is a for charity book, eBook and video series presented by Recording Boot Camp.

Culled and updated from many articles and essays over the years, Audio Recording Boot Camp features over 40 pages of recording advice and perspective from Ronan Chris Murphy. 95% of the net proceeds from the sale of this book will be donated to the recording program at Phoenix House, a center dedicated to helping teens with drug addiction and uses music recording  as a tool to help with recovery.

Go get it: Audio Recording Boot Camp

Video: Bass Guitar Recording Techniques

Saturday, January 21st, 2012

The final video series on recording techniques from Recording Magazine is on electric bass guitar. This 4-part video demonstrates several microphones, placement and distance, combinations of mics, DI boxes and reamping.

CLICK HERE to go to the Recording Magazine video page for this lesson.

Video: Electric Guitar Recording Techniques

Saturday, January 21st, 2012

This 4-part video series from Recording Magazine demonstrates mic placement, types, proximity effect, reamping, and much more. Awesome videos, the only complaint is that the high-gain tone they got was absolute crap.

CLICK HERE or on the image below to go to the Recording Magazine Website.

Video: Acoustic Guitar Recording Techniques

Saturday, January 21st, 2012

More from Recording Magazine. This is a 5-part video covering mic placement, distance, types, mono and stereo techniques. All the videos Recording Mag has up on their site are excellent, I’ll post links to Electric Guitar and Bass series later today.

Since these videos can’t be embedded CLICK HERE to go to the video page.

Video: Mid-Side Acoustic Guitar Recording

Saturday, January 21st, 2012

Recording Magazine produced this excellent video demonstrating how MS works.

I can’t embed so CLICK HERE to go to the Recording Mag website with the video.

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