I am the proud new owner of an EHX 16 second Digital Delay. This thing is big, complex, and capable of some pretty crazy sounds.…
It’s pretty amazing how many different options we have for Tubescreamers these days. There’s the classic TS-808, TS9, the TS7 which I just bought last weekend, then there’s Screamer emulations in every virtual guitar amp package and then there’s the boutique and modded screamers. Ibanez even has 5 different Tubescreamers in production today. They all sound different! Every guitarist and studio engineer has one version they swear by.
A Tubescreamer can be used as a distortion pedal of course but it’s most used as a way of tightening up the bottom-end of an amp and to push an amp into distortion while still maintaining the character of the amp. The circuit includes a high pass filter which makes a huge improvement in tightness of palm mutes, it also has a midrange hump that adds clarity to picked notes. To learn more go here.
Today I spent some time shooting out my Ibanez TS7 pedal with my CMATMods Tube Slammer (a boutique pedal based on TS-808 circuit with upgrades). Since I put that effort in I figured I’d continue and run my software versions through the same tests – Amplitube, PodFarm and GTR.
Way back in July 2012 I was told about a pricing mistake at Musicians Friend for the Auralex MudGuard. It was actually a 4-pack of them for $110, just $11 more than a single unit. I don’t know if it was an error or just clearance but it seemed like a pretty good deal. I told some friends and got a little group buy going with 3 guys in California – Eric @rhythminmind; Cory @createmusicpro; and Andrew @cremasterandroo
Cory made the order and got them a few days later. After he shipped mine to me in Vancouver from Orange County I owed him $68. Still less than buying one in store or any other competing product.
Off-axis microphone isolation
If you’re not familiar with this sort of product, it’s a barrier that mounts behind a microphone intended to reduce the pickup of off-axis sounds – noise, other instruments, or reflections from the room. A compact portable vocal booth is the concept.
There are several of these on the market in a wide range of prices. The SE Reflexion Filter was the first of these products to my knowledge. That one is certainly a more sophisticated design then the MudGuard, however in my previous experience with the SE, it wasn’t worth the effort or high cost.
Opinions vary greatly about their effectiveness and value in the studio. In every discussion I’ve read on these there’s always some guy that claims he can build one himself for $10. I’ve never seen a DIY option that didn’t look like a steaming pile. My own attempts at a DIY stand-mounted absorber have been garbage, definitely not something I’d want to be seen in a paid session.