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Archive for March, 2010

Weekly Tweetdump 24

Monday, March 29th, 2010

Another week of twitter activity from @theaudiogeek.


Drum Damping Techniques

Sunday, March 28th, 2010

What is drum damping?
Damping (or dampening if that’s how you roll) is controlling the decay and overtones of a drum. Damping the drum is NOT a way to deal with a poorly tuned drum. Knowing how to effectively control the sound of the drums through damping is essential for every drummer, producer and recording engineer.

In this article I’ll cover some inexpensive products, some Do-it-yourself options and then some kick drum specific methods. This article is dealing with recording live drums, not damping and muffling for practicing.

Commercial Products

Moongels -These are great inexpensive, reusable jelly pads that stick to the top head of the drum to control the ringing. Super simple to apply. I like these a lot. 2 sets should last you for years. These work best on the top head of a snare or tom and fall off the bottom. MOONGELS

moongel

O Rings/ E-Rings - The Evans E-Rings are my favorite method of damping toms. They are thin clear plastic rings that sit on top of the drum head. I love the instant gratification they provide. On snare it’s not always my favorite sound and can get in the way for brush work. These are also inexpensive and should last you a long time unless they get folded or bent.  E-RINGS

Do It Yourself options

Gaffer tape or Masking/painter’s tape -NEVER use Duct tape or Electrical tape on drums, it’s just gross. Gaffer (Gaffa), masking tape or painters tape will apply and remove cleanly from the drum. There are a couple techniques for using tape to damp. Try making a loop of gaffer tape sticky side out, stick it about an inch from the rim. With masking or painters tape take a 4 inch strip folded so there is a small ‘handle’ for easy removal. I’ll tend to use tape on the bottom of toms if E-Rings aren’t enough. You can also use tape on cymbals if they’re too ringy/washy.

Reused O-ring made from an old drum head -Next time you change your drum heads cut them into O-Rings. Cut off the outer edge and the center. This costs nothing just some time. Troy made some Zero Rings here.

Cotton Balls – I once heard of putting a few cotton balls inside a tom to very naturally reduce the sustain time of the drum. Sounds like a good trick but I haven’t yet tried it.

Kick Drum Specifics

Pre-damped heads – There are a wide variety of drum heads available with damping built-in. One of the most common is the Evans EMAD 2 which is a normal drum head with a plastic ring and foam damping insert. I really like the sound of these heads. Aquarian and Remo also have nice pre-damped heads.

Inside the kick – From pillows to more advanced systems,  there are a lot of options inside the kick drum. IMO all kick drums should have some kind of damping to sound good. You can take a blanket, fold it and place it inside so its just touching the batter head. Place something heavy like a sandbag or cement block on top so it doesn’t slide away during the performance. I’ve read that some people will partially fill their kick with shredded newspaper but that seems really silly to me. A chunk of acoustic foam will work nicely as well.

That’s about all I’ve got to say on this topic. Hope it’s been helpful, let me know if you have some favorite methods not covered here.

 


The New Indie – Making A Living Making Music

Friday, March 26th, 2010

CIRAA (Canadian Independent Recording Artist Association) has a series of music industry focused discussions (podcasts) called The New Indie.

The New Indie, CIRAA’s flagship educational initiative, is an in-depth audio series featuring interviews with music industry experts discussing the new realities facing today’s independent recording artists. The New Indie was created to help artists navigate this music industry paradigm shift.

Topics:

Money (getting funding for your music)

Promo (coming April 5)

Live  (coming May 3)

Labels (features Bob Lefsetz)

Management

Publishing

These are definitely worth checking out  if you’re a musician, manager, or even producer as these topics regularly come up (Canadian or not). Music Industry business may not be fun to you but take this opportunity for some free education anyway.

Another great resource from the CIRAA website is the LINKS PAGE which leads you to more information than you can handle.


Pop Filter Shootout

Tuesday, March 23rd, 2010

Last year JJ Blair posted a shootout of 5 pop filters over on the PSW Acid Test forum. The topic came up in the latest HRS episode, I thought it was interesting as it’s one of those things you don’t really think about. You likely use a pop filter for vocals as a rule without thinking about the effect on the sound. There is a subtle difference in coloration with each one. Download the file to hear for yourself below.

This is a listening test. I used 4 commercial pop filters, and Terry’s foam method. This is a blind listening test for the first number of days. All you need to know is that the first sample of my terrible singing is me, a Manley Gold, a Vac Rac pre, and no filter. The file is 44.1/16 aiff.

The filters used were the Pauly, the Pete’s Place, the Steadman (round one) and the Popper Stopper.

Download Filter Test

Answers

ɹǝʌoɔ ɯɐoɟ (9#
ʎןnɐd ǝɥʇ (5#
ǝɔɐןd s,ǝʇǝd (4#
ɹǝddoʇs ɹǝddod (3#
uɐɯpɐǝʇs (2#
ɹǝʇןıɟ ou (1#

I for one will not stop using a pop filter (I have far better things to do than edit out pops from vocals) but I’m more aware than ever that this choice affects the sound in a negative way.

What do you guys like for pop filters?

Weekly Tweetdump 23

Monday, March 22nd, 2010

Sorry about the lack of content this week (even this post is late!). I’ve selfishly spent all my free time and energy on Dragon Age. Here’s what’s been going on with me on Twitter.


Weekly Tweetdump 22

Monday, March 15th, 2010

Tweetdump time again. A week worth of Twitter activity from @theaudiogeek.

THE  Audio Geek theaudiogeek


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